Tom Stoppard’s Radical Invitation | The New Yorker
“Rosencrantz and Guildenstern are Lifeless,” his 1966 Shakespearian meta-theatrical puzzle, about tertiary characters grappling with their inexorable destiny, mainstreamed conversations...
“Rosencrantz and Guildenstern are Lifeless,” his 1966 Shakespearian meta-theatrical puzzle, about tertiary characters grappling with their inexorable destiny, mainstreamed conversations...